"Kudos to Susan Zeeman Rogers's just- abstract-enough set…"

"Meg's world is neatly divided into three spaces, thanks to the symbolic set by Susan Zeeman Rogers: the house, the farm, and the beguiling but frightening "outside" that lies beyond the fence. When a businessman (Peter Bradbury) offers to support the farm while he and his daughter (Anna Krull) soak up some down-home "values," these divisions are shattered- literally, in the case of Rogers's set, which is deconstructed before our eyes as the play unfolds."